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This is an abbreviated sample of a
typical research paper for English 1302.
(Part 1 Cover
Page)
Nada y Pues Nada: Hemingway’s “A Clean Well-Lighted
Place”
(Your Title)
by
Robert D. Young
(Your Name)
Instructor- Dr Young
English 1302
23 January, 2006
(Part 2
Outline)
Outline
Introduction
1)
Introduce the work—“A Clean, Well-Lighted
Place” was written by
Ernest Hemingway in 1933.
2)
Give background- History, relation to other works,
etc.
3)
Brief Summary of story.
4)
State the
thesis. The story
reflects Hemingway’s view that we all need a secure, clean,
well-lighted place to stave off the chaos of the world.
I. Plot
1)
(Topic sentence)- The plot of the story is in chronological
order.
(1)
Support from the work.
(2) Your
opinions.
(3)
Evidence from research (for research paper only)..
II.
Characters
2)
(Topic sentence)- There are three major characters in the
story.
(1) The major character is the older
waiter.
(1)
support from the work
(2) your
opinions
(3)
Evidence from research.
(2) The younger waiter is in contrast to the older
waiter.
(1).support from the work.
(2) your opinions
(3)Evidence from research
(3) At the center of the story is the old
man.
(1)support from the work.
(2)Your opinions
(3)Evidence from research
III.
Point of View
1)
The point of view is third person limited to the older
waiter. (Why is this important to the story?)
(1)
support from the work.
(2) Your
opinions
(3)
Evidence from research.
IV.
Setting
1)
The story is set in Spain around 1930. (Why is this
important?)
(1)
support from the work.
(2) Your
opinions
(3)
Evidence from research.
V.
Theme
1)
The major theme of the story is that we all need a secure
place against the chaos of the world.
(1)
support from the work.
(2) Your
opinions.
(3)
Evidence from research.
VI.
Symbols
1)
The major symbol of the story is the clean, well-lighted café
itself.
(1)
support from the work.
(2) Your
opinions
(3)
Evidence from research.
Conclusion
1)
(restatement of
thesis)- Hemingway uses the various aspects of the story to show that all
people need a place to get away from the chaos of the
world.
(1)
Summary of major points of essay.
(2)
Evaluation of style.
(3)
Overall evaluation of the work.
(4) Final
summation.
(Part 3 TEXT)
Nada y pues nada
“A Clean, Well-Lighted Place” was written by Ernest Hemingway in
1933. The short story is apart from the major body of Hemingway’s
work in that it is the most obviously philosophical. The story deals
openly with the existential view subscribed to after WWI. On the
other hand, the theme of the importance of having a bastion against
the chaos of the rest of the world is consistent with Hemingway in
his other works.
In this story an old man sits at a table at a sidewalk
café in Spain drinking brandy. He is deaf, but he enjoys the
atmosphere and watching the people pass on the street. Through the
dialogue of the two waiters in the café, one young and one older, we
find that recently the old man tried to kill himself. The younger
waiter is impatient with the old man because it is getting late, and
he wants to get home to his family. The older waiter is more
sympathetic with the old man’s plight, and by the end of the story,
we see that the older waiter also searches for a clean, well-lighted
café to spend his late evenings. The story reflects Hemingway’s view
that we all need a secure, clean, well-lighted place to stave off
the chaos of the world.
The plot of the story is in chronological order
beginning with the old man sitting at the table in the café and
ending with the older waiter looking for his clean, well-lighted
place.
There are three characters in the story. The older
waiter becomes the key figure in the story because the focus of the
point of view moves to him. Early in the story we find that he is
more forgiving of the old man, and by the end we see that he too
enjoys a drink at a nice bar. The younger waiter is intolerant of
the old man, and his ignorance is shown by him saying, “he has
plenty of money,” so why would he want to kill himself. (Hemingway,
268) The young waiter thinks only of himself and getting home to his
family. Finally, there is the old man. We learn what we come to know
of him through the dialogue of the two waiters. He is deaf, enjoys
drinking at the café, has some money, and tried to commit
suicide.
The point of view is third person objective in the
beginning, but the focus eventually changes to focus on the older
waiter. As the story starts out, we listen to the dialogue between
the two waiters, but then later we are inside the head of the older
waiter and we come to understand why he is more tolerant of the old
man. He too suffers from insomnia.
The story is set in Spain probably in about 1930, but
the time and place don’t really matter other than the unique aspect
of the sidewalk cafe to Spain and Europe. The story could happen
today anywhere in the world with only a few changes.
The major theme of the story is that we all need a
secure place against the chaos of the world. This is a place in
which we are comfortable, and the world cannot intrude. After WWI,
many people lost faith in God because they felt he had allowed the
destruction and killing in the war. They had to replace this loss
with something. Hemingway replaced it with a dedication to work and
a pursuit of experience. In this story, the clean, well-lighted café
becomes a metaphor for that place.
The major symbol of the story is the café itself. “It
must be clean and pleasant,” as opposed to the bars and bodegas. The
order of the café is opposed to the chaos of the outside
world.
Hemingway uses the various aspects of this story to
show that people need a place to get away from the chaos of the
world. He uses the young waiter and older waiter to show that we
become more aware of this need as we become older. Even though this
story may not be as enjoyable to read as some of Hemingway’s stories
on lighter subjects, it makes one think about an approach to life if
there really is nothing out there. Nada y pues nada.
(Part 4- Works Cited
papge)
Works Cited
Hemingway, Ernest. “A Clean Well Lighted Place.” Literature Eds. Laurie
Kirszner and
Stephen Mandell. Boston: Heinle, 2004.
pp.267-270.
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